A SPACE BETWEEN
Introduction
Two synonyms can seem almost identical.
Yet, looked at closely, they yield infinity between them.
Opposites need each other.
Light authorizes the only shape shadow can wear.
Each word becomes fully itself only next to what it is not.
The title sets one contemplating the other across the distance between them.
Meaning lives in the gap.
Collection Statement
Nothing in nature repeats itself exactly.
To hold one word in mind long enough is to find its neighbour already there.
Uninvited. Necessary.
No work here finishes its own thought.
Each one hands it to the next.
The chain turns back, in the end, to swallow its own beginning.
Artistic Intention
This collection inhabits the infinite space between the seen and the unseen.
The given and the chosen.
The part and the whole.
The artist is formed by two inheritances and two trades, each in full, both at once.
Even his upbringing came in two voices: one animist, the other scientific.
The collection speaks in those same two voices, each in full, both at once.
What was measured, and what was bequeathed.
Neither voice is offered as belief.
No side remains to be taken.
Two mirrors facing each other multiply one image without end.
A serpent swallows its own tail.
Time and again, the two converge on almost the same point.
Why is left open.
Chaos contemplating Flesh, 2026
180 × 82 × 20 cm / 70.9 × 32.3 × 7.9 in
Edition of 2 + 1 AP
Flat wall-mounted silvered float glass mirror in a 3D-printed PETG frame assembled in sections over an internal aluminium armature, gold-coloured spray paint aged by hand with a brush
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-42
Price on request
Flesh is chaos, ephemerally aware of itself.
Immanence and transcendence collapsing into a single Awareness.
In quantum mechanics, measuring a particle forces it onto a single path.
What causes this is not a mind watching.
It is the act of measuring: information becoming physically fixed.
Nietzsche gave the reverse warning a century earlier, with no instrument at all.
Stare long enough into an abyss, and the abyss starts staring back.
Looking was never his real worry.
Being looked at in return, without noticing when it started, was.
Flesh contemplating Fate, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-43
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Flesh is barely aware of itself.
Already it gropes toward what the senses cannot confirm.
Kant called it the noumenon: a thing as it really is, never as it appears.
He drew the first hard limit on what we can know.
Since we only ever meet appearances, never the thing itself.
Cosmology draws the same limit today. Most of what the universe weighs gives off no light at all.
No instrument detects it directly. We only see the trace it leaves behind.
Reaching toward what proof cannot follow has always demanded sacrifice.
Odin gave up an eye at Mímir's well for one drink of wisdom, trading certainty for a glimpse he could never fully check.
The Graeae paid an even higher price.
Three sisters sharing a single eye, passed hand to hand, their foresight never whole.
Perception reaches exactly as far as the senses extend, and stops precisely where fate begins.
What lies past that point belongs to whoever stands here to decide.
Fate contemplating Free Will, 2026
146 × 200 cm / 57.5 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-44
Price on request
Flesh moves first. The mind dares to claim the decision afterward.
In 1983, Benjamin Libet caught the brain in the act.
A surge of neural activity, the readiness potential, rising half a second before any subject reported deciding to move.
Consciousness arrived late, trailing an act the brain had begun.
What that surge actually proves is still debated.
But one thing is not: consciousness always shows up late to its own decision.
Buddhist philosophy delivered the same verdict twenty-five centuries earlier, with no lab at all.
Anatta: no fixed self behind experience.
Only a stream of passing states that a mind turns into the story of one steady self, afterward.
Flesh that rises to defy fate confesses that fate already held the leash.
Free Will contemplating Destiny, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-45
Price on request
Choice has a focal length. Past it, everything reads as foretold.
Look at a single choice up close, and it seems entirely free.
Look at the same life from far back, and it seems like it could never have gone any other way.
Statistical mechanics lives inside exactly this contradiction.
One molecule's path through a gas is unpredictable enough to call free.
Yet the same gas, as a whole, follows laws precise enough to build an engine on.
Kierkegaard wrote the other half of this in 1843, with no link to physics at all: life can only be understood backward, yet lived forward anyway.
Jewish mystical tradition explains why that blur might be necessary rather than accidental:
God's own self-veiling, so nothing finite would be destroyed by unfiltered divine light.
Free will's deepest purpose is nothing other than finding, at last, a destiny numinous enough to abdicate for.
Destiny contemplating Determinism, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-46
Price on request
Two people look at the same blot and conjure two different worlds. Each answer reveals the person, not the ink.
In 1921, Hermann Rorschach built an entire diagnostic method on this fact:
ten cards of nearly symmetrical ink, holding no fixed meaning of their own.
Augustine and Pelagius fought a similar battle over grace, four centuries into Christianity, with no psychology to guide them at all.
Does a soul that reaches salvation earn that reach through its own merit?
Or does it only arrive because grace pulled it there first?
From outside, the two look exactly the same, decided only by which belief the viewer already holds.
Destiny or determinism is nothing other than a diagnosis of whoever this image catches looking.
Determinism contemplating Defiance, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-47
Price on request
Staying alive takes real work against a universe that would rather fall apart.
The second law of thermodynamics insists that disorder, left alone, only ever increases.
In 1944, Erwin Schrödinger showed that an organism survives by doing the opposite locally.
Pulling order in, pushing disorder out. A single breath is the simplest illustration.
Camus reached the same standoff in 1942, and refused to resolve it.
A universe that answers nothing.
A mind that keeps asking anyway.
He named the only honest response revolt.
Nothing here settles whether determinism or defiance holds the field.
The law still applies. Defiance never stops anyway.
Defiance contemplating Submission, 2026 (self-portrait)
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-48
Price on request
A small head start, given rather than earned, only ever grows bigger over time.
Robert Merton named this the Matthew effect in 1968, from the Bible verse that gives more to those who have.
Recognition draws more recognition.
Opportunity draws more opportunity.
The gap only widens once it exists.
Prometheus refused that math outright.
He stole fire that belonged only to the gods, and gave people an advantage they were never meant to have.
The myth calls this heroic.
The punishment calls it unforgivable.
The punishment never ends either.
An eagle devours his liver. It grows back to be devoured again.
Plato placed desire itself in the liver, the ancient seat of passion and appetite.
The same growing-bigger the Matthew effect describes, just turned against the one who defied it.
Submission bets on the average.
Defiance has never cared what happens to the average.
Submission contemplating Contemplation, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-49
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Submission alights only once it stops being tried.
Teresa of Ávila proved this in the 1560s.
She wrote that her raptures came regardless of her own effort.
She also said that her body sometimes lifted off the floor before her will had any part in allowing it.
The Carmelite reform she began still exists today.
In 2006, Mario Beauregard and Vincent Paquette placed fifteen Carmelite nuns in an fMRI machine.
They asked each one to relive her most intense experience of union with God. None could summon it on command.
Only the memory of a state that had already arrived once, uninvited, could be measured at all.
A single controlling effort would have left a single trace.
Since no will ever produced the state, no single region of the brain ever claimed it either.
A dozen regions lit up at once, none of them in charge.
Contemplation itself refused to submit to one place.
Contemplation contemplating Contemplation, 2026
109 × 200 × 20 cm / 42.9 × 78.7 × 7.9 in
Edition of 2 + 1 AP
Flat wall-mounted silvered float glass mirror in a 3D-printed PETG frame assembled in sections over an internal aluminium armature, gold-coloured spray paint aged by hand with a brush
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-50
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Contemplation has two postures.
One holds on. The other lets go.
Guān is the Yi Jing's hexagram of looking.
It shows the first: a steady gaze, the hands washed, the offering still to come.
In 2008, Antoine Lutz, Richard Davidson and colleagues sorted meditation into two styles: focusing on one object, and watching without grasping.
A study from their laboratory a year earlier scanned expert meditators holding a steady focus.
Those with about 19,000 hours of practice showed more attention-area activity than novices.
At about 44,000 hours, it fell back.
The study suggests that effort rises, then falls.
Hold a steady gaze long enough and it needs almost no effort. Holding on becomes letting go.
The two postures are one contemplation.
Contemplation contemplating Within, 2026
200 × 98 cm / 78.7 × 38.6 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-51
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What goes unnoticed is no less often a constant than an absence.
Every eye carries a blind spot.
It sits at the exact point where the optic nerve leaves the retina, where no photoreceptor can register light at all.
Edme Mariotte announced the discovery in 1668.
No one before him had ever noticed it.
The reason is simple: the brain fills the gap seamlessly.
It invents a continuous field where a hole should sit, so convincingly that the absence goes undetected without a test built specifically to expose it.
Advaita Vedanta names a comparable presence, felt though never quite located.
It's called sakshi: the witness-consciousness beneath the mind's own activity.
It watches thought and sensation without ever itself becoming an object of either.
It never speaks. It never intervenes.
It can never be found by the very attention that depends on it.
What goes unnoticed is no less often a constant than an absence.
Within contemplating Infinities, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-52
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Look inward far enough, and the self becomes an infinite fractal.
The same origin, traced back, stops being a point.
Every door opens onto another, each one echoing the last, never repeating it exactly.
In 1967, Benoit Mandelbrot measured the coastline of Britain.
He found no single answer.
Every inlet broke down into smaller inlets that had been there all along.
The coastline's length depended entirely on how closely you measured it.
Egyptian funerary art carved the same shape nearly three and a half thousand years ago.
An ouroboros: a serpent swallowing its own tail, found on a shrine in Tutankhamun's tomb.
Gnostic and alchemical traditions later inherited the image, and kept its logic exactly.
No examination of the self ever reaches a final layer.
Infinities contemplating Eternal, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-52
Price on request
No infinity is the last one.
Count every whole number, and the counting never ends.
List every way to group them, and that list is bigger still.
In 1891, Georg Cantor proved that this trick repeats forever: an infinity of infinities, each one larger than the last.
Yet Cantor refused to call this the real infinity.
He saved that name for what needed no climbing at all, and called it God.
Kronecker, who had taught him math himself, called this corruption instead.
He blocked his own former student from every job in Berlin for life.
Freud turned on Jung the same way, two decades later.
He cut off his chosen heir rather than follow him toward a mysticism Freud thought science had outgrown.
Cantor's exile is settled history now.
Jung's is still argued, a century later.
An infinity of infinities is already vertiginous.
Yet, infinities accumulate toward a wholeness Eternal already is.
Eternal contemplating itself into Ephemeral, 2026
160 × 200 cm / 63.0 × 78.7 in
Fine Art pigment print mounted under matte acrylic glass on aluminium composite panel
Edition of 3 + 1 AP
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-53
Price on request
Nothing stays long enough to prove it ever did.
In 1905, relativity took away the one "now" everyone shares.
In 1955, Einstein lost a lifelong friend.
Days later, he wrote to the family: "For those who believe in physics, the line between past, present and future is a stubborn illusion."
Physicists still debate what he meant.
In 1807, Hegel argued a stranger idea still.
A pure, undivided whole can never know itself as a whole.
Knowing always requires an object. A true unity has none to offer.
The Eternal becomes visible to itself only by splitting.
It splits into what it can watch pass.
Seen from inside, time comes in tenses.
Seen from outside, it comes whole.
The Ephemeral is the Eternal, seen from inside.
Flesh contemplating Chaos, 2026
110 × 100 × 20 cm / 43.3 × 39.4 × 7.9 in
Edition of 2 + 1 AP
Flat wall-mounted silvered float glass mirror in a 3D-printed PETG frame assembled in sections over an internal aluminium armature, gold-coloured spray paint aged by hand with a brush
Includes embedded NFC chip linked to a digital certificate of authenticity
Signed and numbered
Reference GP-0000-55
Price on request
A flame is order borrowed from chaos.
In 1977, Ilya Prigogine won a Nobel Prize for the theory of dissipative structures.
Such order lasts only as long as a flow continues.
The same law governed Rome's sacred flame, for about a thousand years.
Each keeper gave thirty years, then was replaced.
Yet the flame stayed until the keeping stopped.
Every being is such a structure, borrowed ephemerally.
A witness.
A living mirror with a vantage no other shares.
Across all time, all beings together reflect the whole.
To be born is to embody one's unique fragment of chaos.
To live is to be lived.